ATLAS MERCURY 1.5X ANAMORPHIC LENSES (PL)

Designed by cinematographers for professional videographers, the Mercury 36mm T2.2 1.5x Anamorphic Prime Lens is part of the compact and lightweight Mercury Series from Atlas Lens Co. This series offers native full-frame coverage, enhanced bokeh, near-zero chromatic aberration, and a buttery vintage look that is warmer than that of the Orion series. The ARRI PL-mount Mercury series includes 36, 42, and 72mm primes plus 54 and 95mm and one telephoto focal length still in the pipeline.

Each Mercury lens provides the oval bokeh, pleasant barrel distortion, and shallow depth of field of the Atlas Orion 2x anamorphic primes but in a housing that is about half the size and weight of most pro anamorphic primes. The more compact size reduces fatigue and enables you to get closer to the action.

APOLLO ANAMORPHIC PRIME LENSES (PL): SET A

 We are excited to bring to the cinematography world our new compact lens set of 40mmT2.1, 60mmT1.7, and 100mmT2.5. These lenses are light, short, and giving you a classic anamorphic picture we all use to. The focus throws has long travel of 270°, and close focus of 0.9 inches. Focus scale metric or imperial. All Apollo line lenses are compatible with super 35 sensor.60 mm, and 100mm are specially made to work with full frame sensors, and have special sign on the housing.One of the great features of APOLLO is able to shoot on different sensors without any compromises!

APOLLO ANAMORPHIC PRIME LENSES (PL) SET B

We are proud to announce the arrival of our new Xelmus Apollo Prime Anamorphics. These are very special lenses. This “Set B’ includes the 50mm T1.7, 75mm T2.0 and 135mm T2.8.

IRIX 150MM T3.0 MACRO 1:1 CINE LENS (PL)

Designed for close-up cine-style capture and covering up to full-frame size sensors, the ARRI PL-mount 150mm T3.0 Macro 1:1 Cine Lens from IRIX incorporates multiple internal and external design features. External features include a 95mm front diameter, 0.8 MOD gears, luminous focus marks in feet, and a detachable 1/4"-20 support foot. Internally, 11 blades produce smooth, rounded bokeh and five seals protect against inclement weather and dust.

To help eliminate aberrations and distortion, the 150mm IRIX is constructed with 12 optical elements in 9 groups including four HR (high refractive index) and three ED (extra-low dispersion) elements. This lens has 270° of focus and 75° of iris rotation, an 86mm front filter thread, and includes a lens hood in addition to front and rear caps.

BLACKWING7 LENS SET - T-TUNED - T1.9 (PL) 

Purpose-designed for large format motion picture imaging, B L A C K W I N G 7 prime lenses (27, 37, 47, 57, 77 and 107) are crafted through a process of innovation and intention to create an entirely new range of custom tuned optics for contemporary film makers to use within their creative story telling.

Mixing vintage inspiration with new technology, B L A C K W I N G 7 optics have uncomplicated “old- style” lens coatings which produce vintage contrast and flare characteristics, and also a unique 14 blade iris system which allows out-of-focus highlights to remain perfectly round from T1.9 down to T22. All lenses are designed to fully cover S35, Full Frame, and 65mm formats. Lenses exhibit tight close focus performance, will suit both film and digital PL mounted cameras, and are uniformly rated at T1.9 across the range.

ZEISS SUPREME SPEED T1.5 SET (PL) 

Consistency is one of the key elements offered by the ZEISS Supreme Prime lenses: that means consistent coverage, color rendering, aperture, size, weight and ergonomics. All the lenses across the set (25, 29, 35, 50, 85 100) cover full frame and even bigger sensors with an image circle of 46.2 mm. The small front diameter of 95 mm on almost all lenses and standardized positioning of the focus and iris rings across the whole family facilitate fast and easy equipment changeout. The compact and lightweight design means you enjoy easy and comfortable handling. The ultra-smooth focus rotation of the Supreme Prime lenses even in extreme temperatures allows for small motors to make sure you have an easy setup that’s enjoyable to work with.

ANGENIEUX OPTIMO 24-290mm Ultra 12x T2.8 ZOOM (PL) 

The Optimo Ultra 12x Full Frame Lens from Angenieux is a spherical lens kit that includes the S35 and U35 lenses. The S35 lens is a long-range zoom designed for use in feature films, TV series, live stage commercials, and similar productions. It features an optical and mechanical design and the IRO technology, which allows you to configure it to 31.1mm. Additionally, you can configure the lens with the included U35 lens. Each lens is constructed with front and rear caps, focus, zoom, and iris rings, a fixed marker, and a fixed marker cover.

ANGENIEUX OPTIMO 16-42mm T2.8 ZOOM (PL) 

The Angenieux Optimo 16-42mm DP Rouge T2.8 Zoom PL Mount is a compact, lightweight lens with a maximum aperture of T2.8, no breathing or ramping, and optimization for large format sensor digital cinema cameras.

CANON CINE-SERVO 25-250mm T2.95-3.95 (I) ZOOM (PL) 

The CINE-SERVO 25-250 T2.95 lens provides cinematographers and broadcast operations with a compact, lightweight design (only 6.7 lbs.) using Canon optical elements, while offering outstanding performance and reliability in professional shooting environments. The lens also features a high 10x zoom magnification, wide focal length range of 25mm to 250mm, and a 180o smooth rotating focus ring. Acknowledging that broadcasters often need to control zoom, focus and iris/aperture in different ways than filmmakers, Canon has developed this zoom lens with full external servo control for drama, documentary and other broadcast productions.

SIGMA 18-35MM & 50-100MM T2 CINE SET (PL) 

The Sigma 18-35mm & 50-100mm T2 Cine High-Speed Zoom Lens Set with a Arri PL mount has focus scales marked in feet to provide an image circle that covers Super 35mm-sized sensors. It features a maximum T-stop of 2, and the aperture does not ramp over the zoom range. It shares common lens gear positions which makes for rapid lens changes.

The 9-bladed iris provides round out-of-focus highlights for a natural-looking bokeh. The lens barrel features 180° of rotation from close focus to infinity, the zoom barrel rotates 160°, and the clickless iris ring features 60° of rotation. All three lens control rings are geared with cine-standard 0.8 Mod gears, and the focus scale is marked in feet.

TOKINA CINE ZOOMS (PL) 

Designed from the ground up, this set of Tokina Cine Zooms will give an exceptional range with sharp resolution while maintaining beautiful flares.

 CANON RF 70-200MM F2.8 L-SERIES ZOOM

This impressive L-Series lens offers a telephoto zoom focal length for getting closer to faraway subjects. Canon's lightest and shortest 70-200mm f/2.8 lens ever, the RF 70-200mm f/2.8 L IS USM is engineered to make traveling more comfortable, offering a compact and portable design that's easy to pack and carry wherever you go.

 CANON RF 24-70MM F2.8 L-SERIES ZOOM

Poised to be the new workhorse zoom, the Canon RF 24-70mm f/2.8 L IS USM is a versatile wide-angle to portrait-length lens characterized by its bright, advanced, and intuitive design. The constant f/2.8 maximum aperture suits working in difficult lighting conditions and also enables greater control over depth of field.

 CANON RF 15-35MM F2.8 L-SERIES ZOOM

Covering a versatile wide-angle focal length range, the RF 15-35mm f/2.8 L IS USM from Canon is also characterized by its bright f/2.8 constant maximum aperture. This bright design enables working in available light conditions and also affords greater control over the depth of field. The range of wide focal lengths suits working in a variety of situations, from landscape to documentary shooting, and this zoom is complemented by an advanced optical design that greatly reduces color fringing and distortion for high clarity and sharpness.

 SIGMA 150-600MM F5-6.3 ZOOM (EF)

Ideal for wildlife, sports, landscapes, motorsports, and countless other photographic endeavors, the Sony E-mount 150-600mm f/5-6.3 DG DN OS Sports Lens from Sigma offers the features and image quality that professionals demand. This lens provides high rendering throughout the entire zoom range at all apertures, and ghosting, flare, and various types of aberrations are all well controlled. An updated and redesigned autofocus system offers both speed and precision by incorporating an AF actuator driven by a stepping motor, as well as a high-precision magnetic sensor. Optical image stabilization delivers approximately four stops of compensation, with two standard OS modes for both handheld shooting and panning situations. A new Zoom Torque switch gives users the option to adjust the level of zoom ring resistance from Lock (locked at the wide end for transport), Tight (prevents zoom creep), and Smooth (for easy, smooth zooming). Additional on-lens controls include a Focus Limiter switch, OS Mode switch, Custom switch for custom OS settings, and three customizable AFL buttons.